Difference between revisions of "Sari"
Line 1: | Line 1: | ||
A toga like wrap worn by women in india. A sari is a strip of unstitched cloth, ranging from four to nine metres in length that is draped over the body. The most common style is for the sari to be wrapped around the waist, with one end then draped over the shoulder baring the midriff. Wrapping styles vary from area to area. The sari is usually worn over a petticoat [[pavada]] in the south, and [[shaya]] in eastern India), with a blouse known as a [[choli]] forming the upper garment. | A toga like wrap worn by women in india. A sari is a strip of unstitched cloth, ranging from four to nine metres in length that is draped over the body. The most common style is for the sari to be wrapped around the waist, with one end then draped over the shoulder baring the midriff. Wrapping styles vary from area to area. The sari is usually worn over a petticoat [[pavada]] in the south, and [[shaya]] in eastern India), with a blouse known as a [[choli]] forming the upper garment. | ||
− | + | [[http://amtwiki.org/amtwiki/index.php/File:Sari3.jpg|thumb]] | |
===History=== | ===History=== | ||
The history of Indian clothing trace the sari back to the Indus Valley Civilization, which flourished during 2800-1800 BCE around the western part of the Indian Subcontinent. In ancient Indian tradition and the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the saree. | The history of Indian clothing trace the sari back to the Indus Valley Civilization, which flourished during 2800-1800 BCE around the western part of the Indian Subcontinent. In ancient Indian tradition and the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the saree. | ||
Line 19: | Line 19: | ||
*[http://www.iohu.org/rathayatra/festival-of-india-harrisburg/sari-draping/ Video on how to drape a Sari] | *[http://www.iohu.org/rathayatra/festival-of-india-harrisburg/sari-draping/ Video on how to drape a Sari] | ||
*[http://www.indianattire.com/Embroidered_Sarees.asp Purchase Sari from india] | *[http://www.indianattire.com/Embroidered_Sarees.asp Purchase Sari from india] | ||
+ | *[http://mariajju.com/how/fishtal.htm how to fold and wear a fishtail sari] | ||
[[Category:Garb]] [[Category:Women's Garb]] [[Category:Indian Garb]] | [[Category:Garb]] [[Category:Women's Garb]] [[Category:Indian Garb]] |
Revision as of 14:47, 11 August 2009
A toga like wrap worn by women in india. A sari is a strip of unstitched cloth, ranging from four to nine metres in length that is draped over the body. The most common style is for the sari to be wrapped around the waist, with one end then draped over the shoulder baring the midriff. Wrapping styles vary from area to area. The sari is usually worn over a petticoat pavada in the south, and shaya in eastern India), with a blouse known as a choli forming the upper garment. [[1]]
History
The history of Indian clothing trace the sari back to the Indus Valley Civilization, which flourished during 2800-1800 BCE around the western part of the Indian Subcontinent. In ancient Indian tradition and the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity, hence the midriff is to be left bare by the saree.
Some costume historians believe that the men's dhoti, which is the oldest Indian draped garment, is the forerunner of the sari. They say that until the 14th century, the dhoti was worn by both men and women. Sculptures from the Gandhara, Mathura and Gupta schools (1st-6th century AD) show goddesses and dancers wearing what appears to be a dhoti wrap, in the "fishtail" version which covers the legs loosely and then flows into a long, decorative drape in front of the legs. No bodices are shown.[6]
Other sources say that everyday costume consisted of a dhoti or lungi (sarong), combined with a breast band and a veil or wrap that could be used to cover the upper body or head. It is generally accepted that wrapped sari-like garments, shawls, and veils have been worn by Indian women for a long time, and that they have been worn in their current form for hundreds of years. One point of particular controversy is the history of the choli, or sari blouse, and the petticoat. Some researchers state that these were unknown before the British arrived in India, and that they were introduced to satisfy Victorian ideas of modesty. Previously, women only wore one draped cloth and casually exposed the upper body and breasts. Other historians point to much textual and artistic evidence for various forms of breastband and upper-body shawl.
In Kerala and Tamil Nadu, it is indeed documented that women from many communities wore only the sari and exposed the upper part of the body till the 20th century. Even today, women in some rural areas do not wear cholis.
The cloth it's self
Saris are woven with one plain end (the end that is concealed inside the wrap), two long decorative borders running the length of the sari, and a one to three foot section at the other end which continues and elaborates the length-wise decoration. This end is called the pallu; it is the part thrown over the shoulder in the Nivi style of draping.
In past times, saris were woven of silk or cotton. The rich could afford finely-woven, diaphanous silk saris that, according to folklore, could be passed through a finger ring. The poor wore coarsely woven cotton saris. All saris were handwoven and represented a considerable investment of time or money.
Simple hand-woven villagers' saris are often decorated with checks or stripes woven into the cloth. Inexpensive saris were also decorated with block printing using carved wooden blocks and vegetable dyes, or tie-dyeing, known in India as bhandani work. More expensive saris had elaborate geometric, floral, or figurative ornaments or brocades created on the loom, as part of the fabric. Sometimes warp and weft threads were tie-dyed and then woven, creating ikat patterns. Sometimes threads of different colors were woven into the base fabric in patterns; an ornamented border, an elaborate pallu, and often, small repeated accents in the cloth itself. These accents are called buttis or bhutties (spellings vary). For fancy saris, these patterns could be woven with gold or silver thread, which is called zari work.